Parsons / William Byrd, / Christopher Tye, / Gibbons / Joh: As Our Sweet Cords With Discords Mixed Be – Englis

Galliard
In Nomine II (Ferrabosco I)
In Nomine IV
Coranto I
In Nomine ‘Howld fast’
In Nomine ‘Crye’
In Nomine (Parsley)
Dovehouse Pavan
In Nomine ‘seldom sene’
In Nomine III
In Nomine X ‘saye so’
Fantasia No. 3
A Phancy
In Nomine I
Coranto II
In Nomine IX ‘Re Le Re’
The Night Watch
The Leaves Be Green
In Nomine XI ‘Farewell good one for ever’
Pavan V
Mrs Nichols’ Almain
The Earl of Essex’s Galliard
Captain Digorie Piper’s Galliard
Fantasia I
In Nomine (Gibbons)
Parsley’s Choice
Fantasia III
In Nomine II (Eglestone)
Mr George Whitehead’s Almain
Coranto ‘Heigh ho Holiday’
The Fairie-Round
Fantasia
Pavan ‘the Funerals’
Coranta

Consortium5

Format: 1 CD
Date de sortie : 10/7/2015
Code barre : 5060262790595 Catégories : ,

22,90

   in Early Music Today (Mar, 2016)
As you might guess, Consortium5 consists of five players, their instruments recorders encompassing a range from descant to bass. Little or none of their chosen repertoire was written specifically for recorders but then little of it was written for any other specific instruments – though viol consorts were probably uppermost in composers’ minds.

All the pieces belong to the 16th-century English Renaissance or, in a handful of instances, the early 17th-century. The great names are those of Byrd and Dowland but a second league consisting of Christopher Tye, the Alfonso Ferraboscos, father and son, Antony Holborne, William Brade, Robert Parsons and John Ward provide comparably interesting pieces in this context. Bringing …

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