Bach: St Matthew Passion – Yorkshire Baroque Soloists
Coro I & [II] & Choral
Evangelista, Jesus
Choral
Evangelista
Coro I & II
Evangelista
Coro I
Evangelista, Jesus
Recitativo (Alto 1)
Aria (Alto 1)
Evangelista, Judas
Aria (Soprano 2)
Evangelista
Coro I
Evangelista, Jesus
Evangelista
Coro I
Choral
Evangelista, Jesus, Judas
Recitativo (Soprano 1)
Aria (Soprano 1)
Evangelista, Jesus
Choral
Evangelista, Petrus, Jesus
Choral
Evangelista, Jesus
Recitativo (Tenore 1) & [Choral]
Aria (Tenore 1) & [Coro II]
Evangelista, Jesus
Recitativo (Basso 2)
Aria (Basso 2)
Evangelista, Jesus
Choral
Evangelista, Jesus, Judas
Aria (Soprano 1, Alto 1) & [Coro II]
Coro I & II
Evangelista, Jesus
Choral
Aria (Basso 1) & [Coro II]
Evangelista
Choral
Evangelista, Zeugen, Hohepriester
Recitativo (Tenore 2)
Aria (Tenore 2)
Evangelista, Hohepriester, Jesus
Coro I & II
Evangelista
Coro I & II
Choral
Evangelista, Magd I/II, Petrus
Coro II
Evangelista, Petrus
Aria (Alto 1)
Choral
Evangelista, Judas
Coro I & II
Evangelista, Hohenpriester
Aria (Basso 2)
Evangelista, Pilatus, Jesus
Choral
Evangelista, Pilatus, Pilati Weib, Chor I & II
Coro I & II
Choral
Evangelista, Pilatus
Recitativo (Soprano 1)
Aria (Soprano 1)
Evangelista
Coro I & II
Evangelista, Pilatus
Coro I & II
Evangelista
Recitativo (Alto 2)
Aria (Alto 2)
Evangelista
Coro I & II
Evangelista
Choral
Evangelista
Recitativo (Basso 1)
Aria (Basso 1)
Evangelista
Coro I & II
Evangelista
Coro I & II
Evangelista
Recitativo (Alto 1)
Aria (Alto 1) & [Coro II]
Evangelista, Jesus
Evangelista
Coro II
Evangelista
Choral
Evangelista
Coro I & II
Evangelista
Recitativo (Basso 1)
Aria (Basso 1)
Evangelista
Coro I & II
Evangelista, Pilatus
Recitativo (Basso 1,Tenore 1, Alto 1, Soprano 1) & [Coro II]
Coro I & II
Yorkshire Baroque Soloists
Reference: 0000385SIGCD
Barcode: 0635212038529
Length: 2:33:18
Label: Signum
35,90€
in Choir & Organ (Jul, 2015)
Bach’s St Matthew Passion was probably first performed in 1727 in an early version, some years before he produced his autograph fair copy in 1736. The differences are small, the most substantial being the chorale that originally concluded Part 1, Jesum lass ich nicht von mir, which was replaced by the large-scale O Mensch bewein. other changes were limited to harmonic details, part-writing, allocation of solo voices and instruments.
Both the academy of ancient Music (AAM) and Yorkshire Baroque Soloists (YBS) here attempt to recreate the first performance, based on a manuscript copied by J.C. Farlau post-1750. However, the recordings reveal significant differences. First, resources: following Joshua Rifkin and Andrew …
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