in Piano International (May, 2018)
The precocious Lise de la Salle has always been an individual pianist, offering interpretations of great insight even at an early age. Here, she reaffi rms her status in Bach with a stunning Italian Concerto, limpid and near-perfect in the Andante, magnificently assertive in the first movement, and bright, outgoing and fluently fleet-fingered in the finale. She then pushes the envelope to offer pieces inspired by or based on Bach. Four short pieces by Thomas Enhco offer breathing spaces, two of which themselves use material by Bach.
Enhco could not ask for a finer interpreter: de la Salle pedals his Chant nocturne to perfection, the effect positively pellucid, while she …
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