Duruflé: Complete Choral Works – Houston Chamber Choir

Messe ‘Cum Jubilo’ pour choeur de barytons et orgue, Op. 11: I. Kyrie
Messe ‘Cum Jubilo’ pour choeur de barytons et orgue, Op. 11: II. Gloria
Messe ‘Cum Jubilo’ pour choeur de barytons et orgue, Op. 11: III. Sanctus
Messe ‘Cum Jubilo’ pour choeur de barytons et orgue, Op. 11: IV. Benedictus
Messe ‘Cum Jubilo’ pour choeur de barytons et orgue, Op. 11: V. Agnus Dei
Quatre Motets sur des themes gregoriens pour choeur a cappella, Op.10: I. Ubi caritas
Quatre Motets sur des themes gregoriens pour choeur a cappella, Op.10: II. Tota pulchra es
Quatre Motets sur des themes gregoriens pour choeur a cappella, Op.10: III. Tu es Petrus
Quatre Motets sur des themes gregoriens pour choeur a cappella, Op.10: IV. Tantum ergo
Notre Pere pour choeur a cappella
Requiem pour soli, choeurs et orgue, Op. 9: I. Introit
Requiem pour soli, choeurs et orgue, Op. 9: II. Kyrie
Requiem pour soli, choeurs et orgue, Op. 9: III. Domine Jesu Christe
Requiem pour soli, choeurs et orgue, Op. 9: IV. Sanctus & Benedictus
Requiem pour soli, choeurs et orgue, Op. 9: V. Pie Jesu
Requiem pour soli, choeurs et orgue, Op. 9: VI. Agnus Dei
Requiem pour soli, choeurs et orgue, Op. 9: VII. Lux aeterna
Requiem pour soli, choeurs et orgue, Op. 9: VIII. Libera me
Requiem pour soli, choeurs et orgue, Op. 9: IX. In Paradisum

Ken Cowan, Cecilia Duarte, Norman Fischer, Houston Chamber Choir, Robert Simpson

Format: 1 CD
Release date: 5/4/2019
SKU: 0635212057124 Categories: ,

20,60

   in Choir & Organ (May, 2019)
Founded in 1995 by Robert Simpson, the Houston Chamber Choir here offer beautifully presented accounts of all of Duruflé’s choral music. The famous Requiem is obviously the centrepiece and is given here in its version with organ accompaniment, with the baritone solos delegated to the choir’s baritones – a perfectly legitimate approach, though this appears not to have been brought to the attention of the author of the otherwise excellent liner notes. Recorded in warm, though not too reverberant acoustics, the choir’s tone is open and bright, and they and their conductor are sensitive to Duruflé’s demands. While they can be dramatic when needed, nothing is ever overstated – a temptation …

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