Handel: Heroes From The Shadows – Stutzmann

Name: Handel: Heroes From The Shadows - Stutzmann
SKU: 0825646231775

Poro, Re dell’Indie (Oper in 3 Akten) (Auszug)
Sinfonia
Ariodante HWV 33 (Oper in 3 Akten) (Auszug)
Dover, giustizia, amor
Orlando HWV 31 (Oper in 3 Akten) (Auszug)
Sinfonia
Amadigi di Gaula (Oper in 3 Akten) (Auszug)
Pena tiranna
Alessandro HWV 21 (Oper in 3 Akten) (Auszug)
Sarò qual vento
Serse HWV 40 (Xerxes, Oper in 3 Akten) (Auszug)
Non so se sia la speme
Partenope (Oper in 3 Akten) (Auszug)
Sinfonia
Radamisto HWV 12a (Oper in 3 Akten) (Auszug)
Son contenta di morire
Agrippina HWV 6 (Oper in 3 Akten) (Auszug)
Voi che mi nasca in seno
Tamerlano HWV 18 (Oper in 3 Akten) (Auszug)
Par che mi nasca in seno
Scipione (Publio Cornelio Scipione) HWV 20 (Oper in 3 Akten) (Auszug)
Sinfonia
Giulio Cesare HWV 17 (Julius Cäsar, Oper in 3 Akten) (Auszug)
L’aure che spira
Serse HWV 40 (Xerxes, Oper in 3 Akten) (Auszug)
Sinfonia
Giulio Cesare HWV 17 (Julius Cäsar, Oper in 3 Akten) (Auszug)
Son nata a lagrimar
Arianna in Creta HWV 32 (Oper in 3 Akten) (Auszug)
Son qual stanco pellegrino
Rodelinda, Regina de Longobardi HWV 19 (Oper in 3 Akten) (Auszug)
Se fiera belva ha cinto
Silla HWV 10 (Oper in 3 Akten) (Auszug)
Senti, bell’idol mio
Partenope (Oper in 3 Akten) (Auszug)
Io seguo sol fiero
Amadigi di Gaula (Oper in 3 Akten) (Auszug)
Ballo di pastori e pastorelle

Stutzmann, Nathalie / Stutzmann, Nathalie

Reference: 825646231775
Barcode: 0825646231775
Length: 1:19:22
Label: Warner

Format: 1 CD

Release date: 26/9/2014

Barcode: 0825646231775 Categories: CD, Classical, Diapason d'or

19,90€

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Reviews (0)

in Opera Now (Feb, 2015)
A fabulous disc which contains few of the usual suspects but concentrates on troubled background characters – demonstrating Handel’s impartial sympathy as they step into the light to speak. Even the most ardent Handelophile will find surprises here. The French alto Nathalie Stutzmann, with a voice like some sort of honey liqueur, directs her own band, Orfeo 55. The result is marvellous: a thoroughly integrated performance in a programme that is varied enough despite an unsurprising emphasis on wounded hearts. This suits the melancholy colouring of her voice, which is at its best in Dardano’s ‘Pena tiranna’ (Amadigi), with plaintive oboe and bassoon holding the singer’s hand, Ottone’s brilliantly layered ‘Voi …