in Early Music Today (Dec, 2011)
It’s a great time to be a counter-tenor fan: we can appreciate the achievements of elder statesmen such as James Bowman and Michael Chance, enjoy the younger Andreas Scholl and David Daniels in their prime, and look forward to the future successes of the newest generation, which includes such bright young things as Iestyn Davies and Christophe Dumaux. Davies and Dumaux, Philippe Jaroussky and Max Emanuel Cencic are the stars of the latest crop, and this is the first recording devoted solely to their talents. While the repertoire is Italian chamber duets rather than their usual operatic fare, there are plenty of vocal fireworks to offset the entrancing intimacy which these …
Jarrouski : Duetti da Camera.
Giovanni Bononcini (1670-1747)
Pietoso nume arcier, chambre Duo pour 2 voix & continuo
Francesco Mancini (1672-1737)
Quanto mai saria più bello, seul Cantate
Francesco Bartolomeo Conti (1681-1732)
Quando veggo un’usignolo, Cantate a due soprani con istromenti
Giovanni Bononcini (1670-1747)
Chi d’amor tra le catene, chambre Duo pour 2 voix & continuo
Nicola Porpora (1686-1768)
Ecco che il primo albore, Cantate pour voix & violon
Benedetto Marcello (1686-1739)
Chiaro e limpido fonte, pour 2 voix, 2 violons & continuo, SF. 404
Tirsi e Fileno, Cantate
Alessandro Scarlatti (1660-1725)
Amore e Virtù, Cantate
Philippe Jaroussky (contreténor)
Max Cencic (contreténor)
Les Arts Florissants
William Christie
19,90€
NO LONGER AVAILABLE
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