in Early Music Today (Mar, 2015)
With current research asserting with increasing certainty—to the dismay of cellists everywhere—that Bach’s ‘cello’ suites were in fact intended for the violoncello da spalla, it is reassuring that this latest addition to the long list of cello recordings seems so fresh and inventive. Viola de Hoog’s background as both a baroque and modern cellist (she performed for 20 years with the Schonberg Quartet and has been principal cellist with Concerto Koln and the King’s Consort) is immediately apparent. Her interpretation deftly synthesises historically informed technique with surprisingly romantic phrasing. De Hoog paints with long and elegant lines while enjoying the darker colours of her Guadagnini. Her gigues contrast a full legato …
Johann Sebastian Bach: The Six Cello Suites – De Hoog
Suite für Violoncello solo Nr. 1 G-Dur BWV 1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet 1 – Menuet 2
6. Gigue
Suite für Violoncello solo Nr. 4 Es-Dur BWV 1010
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée 1 – Bourrée 2
6. Gigue
Suite für Violoncello solo Nr. 5 c-moll BWV 1011
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte 1 – Gavotte 2
6. Gigue
Suite für Violoncello solo Nr. 3 C-Dur BWV 1009
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée 1 – Bourrée 2
6. Gigue
Suite für Violoncello solo Nr. 2 d-moll BWV 1008
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet 1 – Menuet 2
6. Gigue
Suite für Violoncello solo Nr. 6 D-Dur BWV 1012
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte 1 – Gavotte 2
6. Gigue
De Hoog, Viola
20,90€
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