in Piano International (Sep, 2016)
Completeness in John Field’s Nocturnes is a moot point. As Elizabeth Joy Roe notes in the booklet, there are multiple versions of many of the pieces, and even their sequence and number are not settled – as can be seen by comparing her programme with Ewa Pobłocka’s reviewed below. Roe uses the Schirmer edition as her main source, following their numbering and stopping at No 18. The Nocturnes were written in or around 1816 and their gentle, mostly quiet expression were a new form in European music, one which Chopin would develop exquisitely. Roe’s touch is superb and she clearly has the measure of Field’s freewheeling invention – which includes a …
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John Field: Nocturnes – Joy Roe
Nocturne No.1 in E Flat Major, H.24
Nocturne No.2 in C Minor, H.25
Nocturne No.3 in A Flat Major, H.26
Nocturne No.4 in A Major, H.36
Nocturne No.5 in B Flat Major, H.37
Nocturne No.6 in F Major, ‘Cradle Song’, H.40
Nocturne No.7 in A Major, H.14
Nocturne No.8 in E Flat Major, H.30
Nocturne No.9 in E Minor, H.46
Nocturne No.10 in E Major “Nocturne Pastorale”, H.54
Nocturne No.11 in E Flat Major, H.56
Nocturne No.12 in E Major “Nocturne Caractéristique: Noontide”, H.13
Nocturne No.13 in C Major “Rêverie-Nocturne”, H.45
Nocturne No.14 in G Major, H.58
Nocturne No.15 in D Minor “Song without Words”, H.59
Nocturne No.16 in C Major, H.60
Nocturne No.17 in C Major, H.61
Nocturne No.18 in F Major, H.62
Elizabeth Joy Roe
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