Nobuyuki Tsujii

Vorspann
Konzert für Klavier und Orchester Nr. 1 b-moll op. 23
1. Allegro non troppo e molto maestoso
2. Andante semplice
3. Allegro con fuoco
Préludes op. 32 Nr. 1-13 (Auszug)
Nr. 12 gis-moll
Elegy for the victims of the earthquake and tsunami of March 11, 2011
Die Jahreszeiten op. 37b Nr. 1-12 (Charakterstücke) (Auszug)
November
Sinfonie Nr. 14 g-moll op. 135
1. De profundis
2. Malagueña
3. Loreley
4. The suicide
5. On the alert
6. Look here, Madame!
7. At the Santé jail
8. Zaporozhye cossacks’ reply to the Sultan of Constantinople
9. O Delvig, Delvig!
10. The poet’s death
11. Conclusion
Abspann
Vorspann
Improvisation und Fuge
Sonate für Klavier Nr. 17 d-moll op. 31 Nr. 2 “Der Sturm”
1. Largo – Allegro
2. Adagio
3. Allegretto
Etüden S 144 (Trois Caprices poétiques, 3 Etudes de concert) (Auszug)
Nr. 3 Un sospiro
Rigoletto S 434 (Paraphrase de Concert) (nach Giuseppe Verdi)
Bilder einer Ausstellung (für Klavier)
Promenade
1. Gnomus
Promenade
2. Il vecchio castello
Promenade
3. Tuileries
4. Bydlo
Promenade
5. Ballet des petits poussins dans leurs coques
6. Samuel Goldenberg und Schmuyle
Promenade
7. Limoges, le marché
8. Catacombae
Cum mortuis in lingua mortua
9. La cabane sur des pattes de poule (Baba-Yaga)
10. La grande porte de Kiev
Jeanie with the light brown hair
Préludes op. 28 Nr. 1-24 (Auszug)
Nr. 15 Des-Dur
Elegy for the victims of the earthquake and tsunami of March 11, 2011
Abspann
Touching the sound (Dokumentation)
Frühe Kindheit
Erste Erfolge
Lernmethoden
Internationale Wettbewerbe
Reisen um die Welt
Inspiration
Musik und Hoffnung
Tohoku-Erdbeben 2011
“Flowers will bloom”

Tsujii, Nobuyuki / Gergiev, Valery

Format: 3 DVD Video
Release date: 1/5/2015
SKU: 0880242612687 Categories: ,

38,90

   in Piano International (Sep, 2015)
Nobiyuki Tsujii is remarkable. Blind from birth and joint winner in the 2009 Van Cliburn Competition, Tsujii (born 1988) is also a composer: there are two performances here of his touching Elegy for the Victims of the Earthquake and Tsunami of March 11, 2011 – played in each case as an encore.

Tsujii seems fearless (in the Cliburn Competition he elected to play Beethoven’s Hammerklavier). The performance of the Tchaikovsky first concerto, delivered in a terrific recording, is astonishing. Emotionally wide-ranging, Tsujii negotiates Tchaikovsky’s fearsome difficulties with ease. Yet actually, the strength of his performance is in its diversity. He has the muscular approach, but he can also melt the …

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