in Classical Music (Mar, 2019)
Richard Watkins holds the Dennis Brain Chair at the Royal Academy; fitting, then, that he comes into competition with the Brain/Matthews account of the Beethoven sonata. Watkins and Drake are not quite so attuned as their seniors: Drake dwells overmuch on the appoggiaturas early on; Watkins plays them in time, his technique rock-solid, his interpretation finely considered.
The father and son Strausses here offer a fascinating comparison, although it is possibly a step too far for Watkins’ booklet claim that Franz, with regards to Richard, is an ‘equally capable composer’. Franz Strauss’ Notturno, Op 7 rises to an impassioned climax; if it has enigmas, they are multiplied exponentially in Richard Strauss’ …
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