Verdi: Otello

Verdi: Otello – Opening Credits – Introduction
Otello (Original Version)
Una vela! Una vela! (Act 1)
“Esultate! Roderigo, ebben che pensi?” (Act 1)
“Fuoco di gioia! Roderigo, beviam!” (Act 1)
Inaffia l’ugola! Trinca, tracanna Brindisi (Act 1)
“Capitano, v’attende la fazione ai baluardi” (Act 1)
“Già nella notte densa” Love Duet (Act 1)
Non ti crucciar (Act 2)
Vanne, la tua meta gia vedo…Credo in un Dio crudel (Act 2)
“Ciò m’accora Che parli?” (Act 2)
“Dove guardi splendono raggi” (Act 2)
D’un uom che geme sotto il tuo disdegno (Act 2)
“Tu?! lndietro! fuggi!! Ora e per sempre addio” (Act 2)
“Era la notte, Cassio dormia Oh’ mostruosa colpa!” (Act 2)
Si, pel ciel marmoreo giuro! (Act 2)
Verdi: Otello – Introduction
“La vedetta del porto ha segnalato la veneta galea” (Act 3)
Dio ti giocondi, o sposo (Act 3)
“Esterrefatta fisso lo sguardo tuo tremendo” (Act 3)
“Dio! mi potevi scagliar tutti i mali” (Act 3)
Vieni; l’aula è deserta (Act 3)
Quest’è il segnale (Act 3)
Il Doge ed il Senato salutano (Act 3)
Quell’ innocente un fremito (Act 3)
Fuggite! (Act 3)
Era più calmo? (Act 4)
Mia madre aveva una povera ancella…piangea cantando (Act 4)
“Ave Maria, piena di grazia Diceste questa sera le vostre preci?” (Act 4)
Aprite! Aprite! (Act 4)
Niun mi tema (Act 4)
Verdi: Otello – Bows & Credits
Verdi: Otello – Backstage at Otello

Botha, Johan / Fleming, Renee / Struckman / Bychkov, Semyon

Format: 1 DVD Video
Release date: 1/5/2015
Barcode: 0044007438626 Catégories : ,

21,90

Out of stock

   in Opera Now (Jun, 2015)
Less thrilling is Otello, filmed at the Met in 2012. Elijah Moshinsky’s lavish production is now reduced after many a revival to traffic cop direction, and the chorus is so huge that extended swathes of orchestral work are obliterated – a shame considering Semyon Bychkov’s mastery of the score when you can hear it. Johan Botha sails impassively through the vocal challenges until he reaches ‘Dio! mio potevi scagliar’, which seems to jolt him into character. (And blackface today, really?!) Renee Fleming scoops and slithers gorgeously and annoyingly through Desdemona’s music until she delivers an exemplary Willow Song. Falk Struckmann’s bluff baritone tries to liven things up from the start but …
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