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Brahms: The Complete Solo Piano Music Vol. 3 – Plowright

Variationen über eine ungarische Melodie op. 21 Nr. 2
Thema: Allegro
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5: Con espressione
Variation 6
Variation 7: Poco piu lento, dolce espressivo – Quasi pizzicato
Variation 8: Ancora un poco piu lento – Espressivo, dolce
Variation 9: Dolce
Variation 10: Espressivo
Variation 11: Dolce
Variation 12: Espressivo
Variation 13: Con forza
Allegro (il doppio movimento) – Tempo 1 piu animato
Stücke für Klavier op. 76 Nr. 1-8
Nr. 1 Capriccio fis-moll: Un poco agitato
Nr. 2 Capriccio h-moll: Allegretto non troppo
Nr. 3 Intermezzo As-Dur: Grazioso
Nr. 4 Intermezzo B-Dur: Allegretto grazioso
Nr. 5 Capriccio cis-moll: Agitato, ma non troppo presto
Nr. 6 Intermezzo A-Dur: Andante con moto
Nr. 7 Intermezzo a-moll: Moderato semplice
Nr. 8 Capriccio C-Dur: Grazioso ed un poco vivace
Walzer op. 39 Nr. 1-16 (für Klavier)
Nr. 1 H-Dur: Tempo giusto
Nr. 2 E-Dur: Dolce
Nr. 3 gis-moll: Dolce
Nr. 4 e-moll: Poco sostenuto
Nr. 5 E-Dur: Grazioso
Nr. 6 Cis-Dur: Vivace
Nr. 7 cis-moll: Poco piu andante
Nr. 8 B-Dur: Dolce, sotto voce
Nr. 9 d-moll: Espressivo
Nr. 10 G-Dur: Poco scherzando
Nr. 11 h-moll
Nr. 12 E-Dur
Nr. 13 B-Dur
Nr. 14 gis-moll
Nr. 15 As-Dur
Nr. 16 cis-moll
Stücke für Klavier op. 118 Nr. 1-6
Nr. 1 Intermezzo a-moll: Allegro non assai, ma molto appassionato
Nr. 2 Intermezzo A-Dur: Andante teneramente
Nr. 3 Ballade g-moll: Allegro energico
Nr. 4 Intermezzo f-moll: Allegretto un poco agitato
Nr. 5 Romance F-Dur: Andante – Allegretto grazioso – Tempo 1
Nr. 6 Intermezzo es-moll: Andante, largo e mesto

Plowright, Jonathan

Format: 1 SACD Hybrid
Release date: 29/1/2016
UGS : 7318599921273 Catégories : , ,

Le prix initial était : 21,90€.Le prix actuel est : 14,24€.

La promotion se termine le : 31/12/2024

   in Piano International (Jul, 2016)
Previous volumes in Jonathan Plowright’s ongoing Brahms series have gathered critical praise, and this, the third volume, continues the positive trend. BIS’s series goes head-to-head with Barry Douglas’ survey on Chandos, which itself has been praised by myself in these pages; in the final analysis, though, it is Plowright who wins out with his flawless musicality (as, indeed, Plowright’s contributions to Hyperion’s Romantic Piano Concerto series might imply). As an example, the seventh variation of the Variations on a Hungarian Melody reveals Plowright’s affi nity with Brahms at his most Innig; the celebratory final Allegro of this piece is beautifully caught.

Dating from a quarter of a century later, the …

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