Handel: L’Allegro, Il Penseroso Ed Il Moderato – Gabrieli Consort & Players

Concerto Grosso Op.6, No.1 in G Major
Concerto Grosso Op.6, No.1 in G Major
Concerto Grosso Op.6, No.1 in G Major
Concerto Grosso Op.6, No.1 in G Major
Concerto Grosso Op.6, No.1 in G Major
L’Allegro Tenor recitative accompany’d
Il Penseroso Soprano recitative accompany’d
L’Allegro Treble air
Il Penseroso Soprano air
L’Allegro Tenor air & chorus
L’Allegro Tenor air & chorus
Il Penseroso Soprano recitative accompany,d
Il Penseroso Soprano air & chorus
L’Allegro Tenor & Treble recitative
L’Allegro Treble air
Il Penseroso Soprano recitative accompany,d
Il Penseroso Soprano air
L’Allegro Bass recitative
L’Allegro Bass air
Il Penseroso Soprano air
L’Allegro Tenor recitative
L’Allegro Tenor air
L’Allegro Treble air & chorus
Concerto Grosso Op.6, No.3 in E Minor
Concerto Grosso Op.6, No.3 in E Minor
Concerto Grosso Op.6, No.3 in E Minor
Concerto Grosso Op.6, No.3 in E Minor
Concerto Grosso Op.6, No.3 in E Minor
Il Penseroso Soprano recitative accompany’d
Il Penseroso Soprano air
Il Penseroso Soprano recitative
L’Allegro chorus
L’Allegro Tenor air
Il Penseroso Soprano recitative accompany’d
Il Penseroso Soprano air
L’Allegro Tenor air
L’Allegro Treble air
L’Allegro Tenor air & chorus
Il Penseroso Soprano recitative
Il Penseroso Chorus
Il Penseroso organo ad libitum & chorus (with Soprano)
Organ Concerto Op.7, No.1 in B flat Major
Organ Concerto Op.7, No.1 in B flat Major
Organ Concerto Op.7, No.1 in B flat Major
Organ Concerto Op.7, No.1 in B flat Major
Organ Concerto Op.7, No.1 in B flat Major
Il Moderato Baritone recitative accompany’d
Il Moderato Baritone air, recitative accompany’d & chorus
Il Moderato Soprano air
Il Moderato Tenor recitative
Il Moderato Tenor air
L’Allegro & Il Penseroso Soprano & Tenor duet
Il Moderato chorus

Gabrieli Consort & Players

Format: 2 CD
Release date: 5/6/2015
UGS : 0635212039229 Catégories : ,

35,90

   in Early Music Today (Sep, 2015)
From the opening bars of this utterly compelling performance it is strikingly evident something special is afoot. Handel’s adopted countrymen were quick to recognise that the juxtaposition of Milton’s sublime poetry with Handel’s mimetic gifts had produced a work of true vernal freshness; L’Allegro would remain one of his most popular works throughout the remainder of the 18th century. It is this meeting of literary and musical genius that lies at the heart of a performance for which all involved appear to have thought through every bar afresh, both texturally and musically. It is rare to hear words delivered with such point.

Paul McCreesh’s decision to give Handel’s original 1740 version …

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