in Classical Music (Aug, 2017)
This generous and thoughtfully chosen sequence of arias begins with Haydn’s Scena di Berenice, with Bevan in imperious form yet alive to text and colour throughout. The programme, which ends with a superbly dramatic Ah! Perfido of Beethoven, celebrates the connections between the three composers, yet there is sufficient contrast in mood and intensity that at no point does the disc outstay its welcome. With delightfully pointed playing from Page’s recently-formed ensemble, and with fine sound and presentation, this is a treasure. …
Perfido! – Sophie Bevan
Concertarias from Haydn, Mozart, Beethoven
Scena di Berenice, XXIVa:10
“Oh, temerario Arbace… Per quel paterno amplesso”, K.79″No, non turbati… Ma tu tremi, o mio tesoro?”, WoO 92a
“No, non turbati… Ma tu tremi, o mio tesoro?”, WoO 92a
“Basta, vincesti… Ah non lasciarmi, no”, K.486a/295a
“Solo e pensoso”, Hob. XXIVb:20
“Ah, lo previdi… Ah, t’invola agl’occhi miei”, K.272
“Bella mia fiamma… Resta, o cara”, K.528
“Ah! perfido”, Op.65
Sophie Bevan, The Mozartists, Ian Page
20,60€
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