Eternamente – Angela Gheorghiu

Mascagni Regina Coeli from “Cavalleria Rusticana”; Voi lo sapete from “Cavalleria Rusticana”; Tu, qui Santuzza from “Cavalleria Rusticana”
Donaudy O del mio amato ben
Puccini Vissi d’arte from “Tosca”
Boito Spunta l’aurora pallida from “Mefistofele”
Mascheroni Eternamente
Refice Ombra di nube
Ponchielli Suicidio! from “La Gioconda
Leoncavallo La canzone di Fleana from “Zingari”; Ed ora conoscetela from “La Boheme”
Giordano Vicino a te s’acqueta from “Andrea Chenier”; No! se un pensier torture from “Siberia”

Angela Gheorghiu, Joseph Calleja, Richard Novak, Prague Philharmonia, Emmanuel Villaume

Format: 1 CD
Release date: 20/10/2017
SKU: 0190295780241 Categorieën: , ,

19,90

Beschikbaarheid: Op voorraad

De Tosca à La Rondine, de La Gioconda à André Chenier en passant par quelques raretés, la sublime soprano roumaine Angela Gheorghiu ne manquera pas de vous émouvoir dans ce somptueux nouveau récital.

De sublieme Roemeense sopraan Angela Gheorghiu zal u zeker ontroeren in dit prachtig recital met naast een aantal rariteiten ook bekende arias uit Tosca, La Rondine, La Gioconda en Andrea Chénier.

C’est avec une grande fierté que nous nous faisons l’écho de cet album publié par Deutsche Grammophon dans lequel le Brussels Philharmonic explore deux des suites de ballet les plus populaires de Prokofiev

Met groot genoegen maken wij kond van dit door Deutsche Grammophon uitgegeven album waarop het Brussels Philharmonic twee van de populairste balletsuites van Prokofiev verkent.

   in Opera Now (Dec, 2017)
Angela Gheorghiu offers us Eternamente. One sincerely hopes not. Her opening numbers from Cavalleria rusticana are hideously tremulous, not helped by Joseph Calleja’s anemic Turridu. He was recorded in Malta; Gheorghiu was recorded in Prague. It shows. Her Italian songs by Donaudy, Mascheroni and Refice have all had better outings, notably by Claudia Muzio (I know, long dead, but certainly not forgotten). Gioconda’s Suicidio is going to become an unfortunate ‘you must hear this!’ rendition; Gheorghiu’s startlingly explosive chest notes are camp classics. Suddenly, rather too late, she soars into song with some Leoncavallo rarities from La bohème and Zingari, before finishing with a surprisingly passionate duet from Andrea

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