Bach: Clavier-Ubung III – James Johnstone

Choräle für Orgel BWV 669-689 (aus Clavierübung III)
Praeludium pro Organo pleno BWV 552
Kyrie, Gott Vater in Ewigkeit BWV 669
Christe, aller Welt Trost BWV 670
Kyrie, Gott heiliger Geist BWV 671
Kyrie, Gott Vater in Ewigkeit BWV 672
Christe, aller Welt Trost BWV 673
Kyrie, Gott heiliger Geist BWV 674
Allein Gott in der Höh sei Ehr BWV 675
Allein Gott in der Höh sei Ehr BWV 675
Fughetta super Allein Gott in der Höh sei Ehr BWV 677
Dies sind die heiligen zehen Gebot BWV 678
Fughetta super Dies sind die heiligen zehen Gebot BWV 679
Wir gläuben all an einen Gott BWV 680
Fughetta super Wir glauben all an einen Gott BWV 681
Vater unser im Himmelreich BWV 682
Vater unser im Himmelreich BWV 683
Christ, unser Herr, zum Jordan kam BWV 684
Christ, unser Herr, zum Jordan kam BWV 865
Aus tiefer Not schrei ich zu dir BWV 686
Aus tiefer Not schrei ich zu dir BWV 687
Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt BWV 688
Fuga super Jesus Christus, unser Heiland BWV 689
Duette Nr. 1-4 BWV 802-805 (aus Clavierübung III)
Nr. 1 (ohne Satzbezeichnung)
Nr. 2 (ohne Satzbezeichnung)
Nr. 3 (ohne Satzbezeichnung)
Nr. 4 (ohne Satzbezeichnung)
Fuga à 5 pro organo pleno BWV 552

James Johnstone, Wagner-Orgel Nidaros Cathedral Trondheim

Format: 2 CD
Release date: 16/9/2016
Barcode: 5028165109425 Categories: ,

23,90

   in Choir & Organ (Mar, 2016)
Oxford’s newest choral foundation has released a disc in each of its five years; in 2014 the chapel gained an exceptional new Dobson organ, which shines here. The singing is accomplished, and under the direction of Benjamin Nicholas and Peter Phillips 20th-century greats vie with renaissance polyphony for pride of place. Jonathan Dove’s Te Deum is a brilliant addition to the canon; the disc closes with Patrick Gowers’s now-classic Viri Galilaei. Finzi (Lo, the full, final sacrifice) and Harris (Faire is the heaven) offer further reasons to snap this recording up. Organ playing from the scholars is top-notch and the singing from these young voices is always unforced and balanced. …

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