Published in 1739, Johann Sebastian Bach’s Dritter Teil der Clavierübung (Third Part of the Keyboard Practice) is one of the most profound monuments of organ literature. Conceived as a theological and musical summa, this cycle of chorale preludes framed by a majestic Prelude and Fugue reflects Bach’s deep Lutheran faith and his consummate mastery of counterpoint. Intended “for amateurs and especially for connoisseurs… for the recreation of the spirit,” it invites us into a world where intellect and devotion meet in perfect harmony.
Bach: Clavierübung Dritter Theil – Sergio Vartolo
Præludium pro organo pleno, BWV 552-1
Kyrie, Gott Vater in Ewigkeit, BWV 669
Christe Aller Welt Trost, BWV 670
Kyrie Gott heiliger Geist, BWV 671
Kyrie, Gott Vater in Ewigkeit, BWV 672
Christe aller Welt Trost, BWV 673
Kyrie, Gott heiliger Geist, BWV 674
Allein Gott in der Höh sey Ehr, BWV 675
Allein Gott in der Höh sey Ehr, BWV 676
Fugetta super Allein Gott in der Höh sey Ehr‘, BWV 677
Dieß sind die heil‘gen zehn Geboth, BWV 678
Fugetta super Dieß sind die heil‘gen zehn Geboth, BWV 679
Wir gläuben all an einen Gott, BWV 680
Fugetta super Wir glaúben all an einen Gott, BWV 681
Vater unser im Himmelreich, BWV 682
Vater unser im Himmelreich, BWV 683
Christ unser Herr zum Iordan kam, BWV 684
Christ unser Herr zum Jordan kam, BWV 685
Aus tieffer Noth schrey ich zu dir, BWV 686
Aus tieffer Noth schrey ich zu dir, BWV 687
Iesus Christus unser Heyland, der von uns den Gotteszorn wandt, BWV 688
Fuga super Jesus Christus unser Heyland, BWV 689
Duetto I, BWV 802
Duetto II, BWV 803
Duetto III, BWV 804
Duetto IV, BWV 805
Fuga à 5 voci, BWV 552-2
Sergio Vartolo
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