Bach: Motets BWV 225-230 – Hans-Christoph Rademann

With this recording, the Gaechinger Cantorey turns to Johann Sebastian Bach’s motets, works widely regarded as a pinnacle of sacred vocal music. Emerging from an intensively prepared series of concerts and recorded at the Tauber Philharmonie Weikersheim, the album combines tonal transparency, expressive power, and vibrant historically informed performance practice at the highest level.

Bach’s motets rank among the most impressive works in the choral repertoire. Between intimate devotion and the splendor of double-choir writing unfolds a musical cosmos filled with contrapuntal mastery, emotional intensity, and eight-part virtuosity. Finely balanced instrumental colours complement the choral sound, lending the works remarkable transparency and flexibility. For many years, the Gaechinger Cantorey has played a defining role in the performance of Bach’s music with a sound that is at once precise, agile, and immediate. Under the direction of Hans-Christoph Rademann, the ensemble’s interpretations understand historically informed performance practice as a means of rediscovering the emotional power and complexity of this music. The ensemble’s distinctive artistic profile is especially evident in the motets: transparent in sound, closely attuned to the text, and driven by great musical energy.

With this release, Accentus Music continues its long-standing collaboration with the Gaechinger Cantorey, which has already resulted in several highly acclaimed Bach recordings.