in Choir & Organ (Jan, 2018)
Playing once again on one of the finest organs left to us by the 1970s (which doesn’t entirely explain its newly-found popularity among British players making Bach CDs), Robert Quinney continues his Bach cycle with a programme including Sei gegrüsset, a number of the Leipzig chorales, the Concerto in D minor, and the Prelude & Fugue in E minor BWV 548. Quinney’s playing is scrupulously neat and tidy, bristling with a momentum heightened by his taste for added ornamentation. What I miss is any real rhythmic or even rhetorical expression (the seufzers in his relentless BWV 651 are virtually staccato, and the brisk tempo and ornamention are more TGV than …
Bach: Organ Works Vol. IV – Robert Quinney
Fantasia super ‘Komm, Heiliger Geist’ BWV 651
Komm, Heiliger Geist BWV 652
Concerto in D minor BWV 596 (after Vivaldi)
An Wasserflüssen Babylon BWV 653
Schmücke dich, o liebe Seele BWV 654
Partita on ‘sei gegrüsset, Jesu gütig’ BWV 768
An Wasserflüssen Babylon cum doppio pedale BWV 653b
Prelude & Fugue in E minor BWV 548
Robert Quinney
20,90€
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