British Piano Concertos / Braithwaite

Konzert für Klavier Nr. 2 c-moll op. 126
1. Allegro moderato
2. Adagio molto
3. Allegro molto
Eclogue op. 10 (für Klavier und Streichorchester)
Dynamic Tryptich op. 88 (für Klavier und Orchester)
1. Dynamic mode
2. Dynamic timbre
3. Dynamic rhythm
Rhapsodie für Klavier und Orchester “Phantasm”
1. Allegro moderato – Poco più lento
2. Allegro moderato
3. Andante molto moderato
4. Allegro moderato
Konzert für Klavier und Orchester C-Dur
1. Toccata: Allegro moderato
2. Romanza: Lento
3. Fuga chromatica con finale all tedesca
Konzert für Klavier und Orchester Nr. 1
1. Capriccio: Allegro molto
2. Chaconne: Andante con moto
3. Tarantella: Vivace
Early one morning (Tondichtung für Klavier und Orchester)
Legend (für Klavier und Orchester)
Konzert für Klavier und Orchester
1. Allegro
2. Allegretto tranquillo
3. Allegro non troppo
Rhapsodie für Klavier und Orchester fis-moll
Konzert für Klavier und Orchester B-Dur op. 29
1. Allegro moderato
2. Andante
3. Vivace
Konzert für Klavier und Orchester Nr. 1 op. 19 (1960)
1. Moderato
2. Presto
3. Lento
4. Allegro
Konzert für Klavier und Orchester Nr. 3 Es-Dur (1962)
1. Toccata: Allegro
2. Scherzo: Allegro
3. Molto largo e cantando
4. Ben allegro

Various / Braithwaite, Nicholas – Handley, Vernon – Hermann, Bernard – Boult, Adrian – Wordsworth, Barry – Dommett, Leonard

Format: 4 CD
Release date: 1/10/2014
Barcode: 5020926234520 Categories: ,

28,90

   in Piano International (Jul, 2015)
Part of the delight of a generous sampler such as this, introduced by concise, intelligent notes by Paul Conway, is the chance to reverse preconceptions about well-known composers. The concerto by Vaughan Williams, that quintessentially rural spirit, has plenty of urban dash, especially as played with panache by Howard Shelley. It reminds us that Vaughan Williams studied with Ravel in Paris for around three months in 1907/08, and the Frenchman’s influence clearly remained when this work was written, from 1926 to 1930/31. Its seductive qualities were doubtless emphasized during its premiere in 1933 by Harriet Cohen (1895–1967), who in addition to considerable keyboard skills was a glamour pinup and longtime lover …

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