Piano International (Jul, 2014)
His Sonatas and Interludes for prepared piano may have been the work that freed John Cage from his ‘desire to possess sounds (to be able to repeat them)’, teaching him instead to enjoy them ‘as they come, as they happen’. Though he drew up detailed instructions for preparing the piano, initially intending that each performance replicate the specific array of timbral distortions he had created, he soon realised this was impossible in practice, since no two pianos – or pianists – would sound exactly alike. Decisions about the work’s timbral palette had, ultimately, to be left to the discretion of individual performers, and Cage’s acceptance of this marked a major step …
Cage : Sonates et Interludes. Anissegos.
John Cage (1912-1992)
Sonates et Interludes, pour piano préparé
Sonate n° 1
Sonate n° 2
Sonate n° 3
Sonate n° 4
First Interlude
Sonate n° 5
Sonate n° 6
Sonate n° 7
Sonate n° 8
Second Interlude
Third Interlude
Sonate n° 9
Sonate n° 10
Sonate n° 11
Sonate n° 12
Fourth Interlude
Sonate n° 14
Sonate n° 15
Sonate n° 16
Sonate n° 2
Sonate n° 3
Sonate n° 4
First Interlude
Sonate n° 5
Sonate n° 6
Sonate n° 7
Sonate n° 8
Second Interlude
Third Interlude
Sonate n° 9
Sonate n° 10
Sonate n° 11
Sonate n° 12
Fourth Interlude
Sonate n° 14
Sonate n° 15
Sonate n° 16
Antonis Anissegos, piano
Reference: WER6782
Barcode: 4010228678222
Length: 1:02:19
Label: Wergo
20,60€
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