Harsh insults are not an invention of our time: Francesc Valls – who lived at around the same time as Bach – had to endure them at the beginning of the 18th century: around 80 contributions have been handed down from the controversia de Valls, which was sparked by bold dissonances in his Missa scala aretina. In his latest recording with his BachWerkVokal ensemble, Gordon Safari shows that Valls was capable of going much further. Listeners are constantly amazed: the Catalan composer did not shy away from quarter tones either…
Francesc Valls: con afecto – Ensemble BachWerkVokal
In te Domine speravi (from Mapa Armónico Práctico, 1742)
O vos omnes
Domine vim patior (from Mapa Armónico Práctico, 1742)
Crucem tuam
Dies magna (from Mapa Armónico Práctico, 1742)
Ecce enim
Tibi soli peccavi
Salid del Averno (from Mapa Armónico Práctico, 1742)
Entre golfos de dulzuras
¿Qué es lo que me niega Amor?
Mas, ay de mí
Composicion Enharmonica para Instrumentos de Arco (from Mapa Armónico Práctico, 1742)
Yo que el aplauso (from Mapa Armónico Práctico, 1742)
Ay de la pena
Fulcite me floribus (from Mapa Armónico Práctico, 1742)
Lauda Sion
Elevacion o Ascencion Gradación y Descenso (from Mapa Armónico Práctico, 1742)
Peccantem me quotidie
Dulce lignum
Erravi sicut ovis (from Mapa Armónico Práctico, 1742)
Laudate Dominum
Plorans ploravit (from Mapa Armónico Práctico, 1742)
Et unam sanctam catholicam
Benedictus
Composicion chromática (from Mapa Armónico Práctico, 1742)
Victimae paschali laudes
Ensemble BachWerkVokal, Gordon Safari
23,90€
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