Gabrieli: 1615 Gabrieli In Venice

In ecclesiis (a 14), C78
Canzona Seconda (a 6), C196
Suscipe, clementissime Deus (a 12), C70
Hodie completi sunt dies Pentecostes (a 8), C57
Jubilate Deo omnis terra (a 10), C65
Canzona Terza (a 6), C197
Quem vidistis pastores? (a 14), C77
Sonata XXI, ‘con tre violini’ (a 4), C214
Exultavit cor meum in Domino (a 6), C53
Surrexit Christus (a 11), C66
Canzona Prima (a 5), C195
Litaniae Beatae Mariae Virginis (a 8), C63
Magnificat (a 14), C79

Choir Of King’S College, Cambridge

Format: 1 SACD Hybrid
Release date: 1/11/2015
Barcode: 0822231701224 Categories: ,

17,90

   in Early Music Today (Mar, 2016)
The Choir of King’s College, Cambridge, His Majestys Sagbutts & Cornetts, Stephen Cleobury (d) King’s College Cambridge KGS0012 Dolby’s Atmos technology allows height information to be added to surround- sound recording, capturing the acoustics of the recording venue with startling fidelity. Gabrieli’s antiphonal and cori spezzati music written for Venice’s Basilica di San Marco, and the cavernous yet warm and vibrant acoustics of King’s, Cambridge could not, of course, be a more apposite combination of choices for the technology’s audio-disc launch. I have been consistently astounded by the vivid acoustic capturing of King’s Chapel on the discs across a variety of audio set-ups.

One must make a slight leap of …

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