“Glosas, diminutions, passaggi…”: so many terms to describe the garlands of ornamentation that keyboard musicians added to the polyphonic vocal works of their peers as they transformed them into true keyboard pieces between the 16th century and the dawn of the 17th. This album offers an extensive array of these intabulations of vocal works and shows their pan-European scope by illustrating how keyboard players appropriated the music of madrigalists from distant courts.
Gloses – Lucie Chabard
Ercole Pasquini Ancor che col partire (After Cipriano de Rore)
Girolamo Frescobaldi Passagiato “Ancidetimi pur”, F 3.12 (After Jacques Arcadelt)
Giovanni de Macque Ricercar del quarto tono
Joachim van den Hove Bouche de coral precieux (After Jan Pieterszoon Sweelinck) [Arr. for Harpsichord by Lucie Chabard]
Heinrich Scheidemann Mio cor se vera sei salamandra (After Felice Anerio)
Duncan Burnett Sussana (After Orlando di Lasso)
William Randall Galliard “Can She Excuse My Wrongs” (After John Dowland)
Peter Philips Chi fara fede al cielo (After Alessandro Striggio)
Pierre Chabanceau de La Barre Tu crois, ô beau soleil (After Louis XIII) [Reconstructed by Lucie Chabard]
Jacques Champion Fantaisie “de Chappel”
Antonio de Cabezón Canción glosada “Ayme qui vouldra” (After Nicolas Gombert)
Francisco Correa de Arauxo Tiento de medio registro de tiple de decimo tono, FO 36
Hernando de Cabezón Dulce memoriae glosada (After Pierre Sandrin)
Luys de Narváez Mille regres. La canción del Emperador (After Josquin Desprez) [Arr. for Harpsichord by Lucie Chabard]
Lucie Chabard
20,90€
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