Goffredo Petrassi: Coro Di Morti – Coro Teatro Regio Torino / Noseda

Partita für Orchester
1. Gagliarda: Mosso e energico – Meno mosso – Un po’animato – Un poco animato – Poco meno – Movendo – Tempo 1 – …
2. Ciaconna: Molto moderato – Poco più mosso – Mosso – Sostenuto – Largo – Grandioso – Tempo initiale
3. Giga: Gaio e leggero – Poco più mosso – Energico – Movendo – Gaio e leggero
Quattro inni sacri (für Tenor und Orchester)
Jesu dulcis memoria: Molto moderato – Lento solenne
Te lucis ante terminum: Lento – Poco più mosso
Lucis creator optime: Solenne, ma non troppo lento – Mosso – Poco meno mosso – Andante – Tempo 1 – Adagio – Sostenuto
Salvete Christi vulnera: Allegro con gaudio – Poco meno – Meno – Adagio – Molto lento – Andante – Tempo 1 – Largo
Noche oscura (Kantate für Chor und Orchester)
Adagio tranquillo, un poco misterioso – Molto sostenuto – Allegretto mosso, sereno – Poco più animato – Adagio – …
Coro di morti (Madrigal für Männerstimmen, 3 Klaviere, Blechbläser, Kontrabaß und Schlagzeug)
Sola nel mondo eterna: Andante lento
Scherzo strumentale: Moderato
Vivemmo. E qual di paurosa larva’: Andante lento
Tempo dello scherzo – Sostenuto
‘Che fummo?: Moderatissimo

Gianandrea Coro Teatro Regio Torino / Noseda

Format: 1 CD
Release date: 19/1/2015
SKU: 0095115184028 Catégories : ,

20,90

   in Classical Music (Mar, 2015)
Petrassi’s early Partita for orchestra, an arresting 1932 spectacular; Noche oscura and Coro di morti are later works, inhabiting a more acerbic soundworld yet demonstrating the composer’s technical mastery and flair for drama. Performances and recording are of the highest standard. …
Read more on agoraclassica.com

   in Choir & Organ (May, 2015)
Chandos is to be warmly congratulated for championing the works of Petrassi, a figure under-represented on disc and virtually neglected in concert halls outside his native Italy. When the music is as fascinating and as well executed as on this disc, our debt is doubled. Noseda sculpts finely shaped readings, from the wartime Coro di morti, whose scoring (without violins) contributes greatly to the dark atmosphere expressed by the text, to the substantial cantata Noche oscura (poetry by St John of the Cross), in which the musical style is more individual and less influenced by others, notably Stravinsky. Warmly recommended. …
Read more on agoraclassica.com

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