Haydn: String Quartets Vol. 21 – Leipziger Streichquartett

Streichquartett Nr. 60 A-Dur op. 55 Nr. 1 Hob. III:60 “Tostsche Quartette 2”
1. Allegro
2. Adagio cantabile
3. Menuett
4. Finale: Vivace
Streichquartett Nr. 61 f-moll op. 55 Nr. 2 Hob. III:61 “Tostsche Quartette 2”
1. Andante o più tosto allegretto
2. Allegro
3. Menuett: Allegro
4. Finale: Presto
Streichquartett Nr. 62 B-Dur op. 55 Nr. 3 Hob. III:62 “Tostsche Quartette 2”
1. Vivace assai
2. Adagio ma non troppo
3. Menuett
4. Finale: Presto

Leipziger Streichquartett

Format: 1 CD
Release date: 3/7/2026
SKU: 0760623238524 Catégories : , ,

22,90

With the three quartets of Op. 55, the Leipzig String Quartet brings Haydn’s mature genius vividly to life. These works capture the composer at the peak of the Classical era, blending elegance, wit, and profound musical insight. In the Quartet’s hands, every nuance and flourish shines, offering listeners an unforgettable journey through Haydn’s timeless artistry.

No. 1 radiates brilliance from its opening energetic theme, with flowing figures, virtuosic triplets, and a characteristically unexpected modulation that sets the tone for the work. Haydn’s inventiveness shines throughout, from the noble and finely scored Adagio cantabile to the Minuet, Trio, and lively Finale, which feature imaginative instrumental interplay, subtle formal extensions, and a confident return to the tonic.

According to legend, Haydn traded “his best quartet” in exchange for English razors, giving No. 2 its nickname. Remarkably it opens with a slow, expressive variation movement in F minor. The alternation between minor and major creates a tonal limbo that creates a sense of tonal instability. This tension is sharpened in the spiky Allegro and contemplative Minuet, before an exuberant, jig-like finale decisively affirms a triumphant F major.

No. 3 opens with striking simplicity, as a unison motif of descending seconds gives way to sighing figures and a more animated second subject, all of which Haydn masterfully develops through concise modulation, counterpoint, and fugato. His inventiveness continues with a questioning-and-answering Adagio permeated by variation, a Minuet whose final gesture seeds the Trio, and a virtuosic Presto finale that drives the quartet to a brisk and decisive conclusion.”

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