In War And Peace – Joyce DiDonato
Jephta, HWV 70, Act 1: “Some dire event hangs o’er our heads… Scenes of horror, scenes of woe” (Storgè)
Andromaca: “Prendi quel ferro, o barbaro!” (Andromaca)
Giulio Cesare, HWV 17, Act 1: “Vani sono i lamenti… Svegliatevi nel core” (Sesto)
The Indian Queen, Z. 630, Act 3: “They tell us that you mighty powers above” (Orazia)
Giulio Cesare, HWV 17, Act 1: “Figlio non è… Cara speme” (Sesto)
Agrippina, HWV 6, Act 2: “Pensieri, voi mi tormentate” (Agrippina)
Dido and Aeneas, Z. 626, Act 3: “Thy hand, Belinda… When I am laid in earth” (Dido)
Rinaldo, HWV 7, Act 2: “Lascia ch’io pianga” (Almirena)
Bonduca, or the British Heroine, Z. 574: “Oh ! Lead me to some peaceful gloom” (Bonvica)
Rinaldo, HWV 7, Act 1: “Augelletti che cantate” (Almirena)
Attilio Regolo, Act 2: “Sprezza il furor del vento” (Regolo)
The Indian Queen, Z. 630, Prologue: “Why should men quarrel ?” (A girl)
Attilio Regolo, Act 1: “Par che di Giubilo” (Attilia)
Susanna, HWV 66, Act 2: “Lead me, oh lead me to some cool retreat…. Crystal streams in murmurs flowing” (Susanna)
Il ritorno d’Ulisse in patria, Act 5: “Illustratevi, o cieli” (Penelope)
Giulio Cesare, HWV 17, Act 3: “Da tempeste il legno infranto” (Cleopatra)
Il Pomo d’Oro, Maxim Emel Joyce DiDonato
Reference: 190295928469
Barcode: 0190295928469
Length: 1:19:07
Label: Warner
19,90€
NO LONGER AVAILABLE
Retrouvez la prodigieuse Joyce DiDonato dans le programme original avec lequel la mezzo-soprano américaine triompha à Bozar en novembre et qui réparti 15 airs baroques en deux blocs qui s’inscrivent dans le contexte actuel: La Guerre et La Paix.
Ontdek de wonderbaarlijke Joyce DiDonato in het originele programma waarmee de Amerikaanse mezzosopraan zegevierde in Bozar in november en die 15 barokke aria’s in twee blokken opdeelt volgens het actuele thema van Oorlog en Vrede.
in Opera Now (Jan, 2017)
Another singer not afraid to let simplicity speak for itself is Joyce DiDonato, whose In War and Peace doesn’t just contrast Baroque arias from opposite sides of the same coin, but aims to start us questioning our own stance by asking, ‘How do you find peace?’. Any initial suspicion of Joyce Saves the World are overcome by her obvious sincerity and also by her clever choice of music: singing female characters with the exception of Handel’s Sesto (Giulio Cesare) she takes her programme beyond the obvious binary opposition into a series of contrasts and emotional conflicts. Thus the seemingly serene beauty of ‘Lascia ch’io pianga’ from Handel’s Rinaldo is in fact …
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