in Choir & Organ (May, 2014)
Daring to do on disc what most groups reserve for live events proves how lush 16th-century polyphony sounds after a lengthy stretch of Gregorian chant. Herein an Office of Compline for Passiontide, elegantly and tautly sung without egotism, precedes a gorgeously sonorous reading of the Lamentations, a spiritually sensuous treat, startlingly impactful after the monody. Dark-toned lower voices underpin sinuously focused higher lines with excellent balance and breadth. No nuance is neglected in an interpretation that occasionally indulges in wickedly enjoyable, almost romantic excess. …
La musique pour orgue en Sardaigne au 19ème siècle. Ajossa.
Giovanni Gonella (1804-1854)
Hymne national de Sardaigne
Michele Fusco (?1770-1828)
Sonate en si bémol majeur
Pastorale pour orgue
Giovanni Stefano Masala (1787-1819)
Sonate pour la consécration de la Cathédrale de Bosa
Francesco Vegni (1771-1845)
Thème et variations sur le thème “Pria ch’io l’impegno magistral prenda”, extrait de “Amor Marinaro”, opéra de J. W. Ridotto
Nicolò Oneto (1801-1872)
Symphonie “ne L’Amsicora ridotta” pour orgue
Giovanni Battista Dessy (1834-1918)
“Ave Maria” de Don Martino d’Aragona
Antonio Porcile (1822-1888)
Fugue à 4 pour orgue
Oeuvres de compositeurs anonyme sarde du 19e siècle
Sonate pour l’offertoire n° 1
Sonate pour l’offertoire n° 3
Balade nationale sarde
Francesca Ajossa, orgue (orgue Piacentini-Battani de 1885, Eglise du Saint Sépulcre, Calgiari)
16,90€
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