in Early Music Today (Dec, 2011)
Under the direction of their associate conductor, Paul Agnew, Les Arts Florissants offer a disc of penitential choral music that is definitely more pleasure than pain. Domenico Scarlatti’s vivid extended setting of the Stabat Mater and Leonard Leo’s alternatim-style ‘Miserere mei Deus’are framed by shorter works from Lotti and Legrenzi. Th e latter’s ‘Quam amarum est Maria’ is the unexpected gem of the collection – a Monteverdian cantata-in-miniature for two sopranos and continuo, all swooning suspension sequences and artless ornamentation. While Leo’s rather solid lines offer little by way of dramatic opportunity, both the Scarlatti and Lotti’s two Crucifixus settings are masterpieces of word-setting. Swift matter-of-fact speeds and some wilfully straight …
Lamentazione : Scarlatti, Lotti, Caldara. Arts Florissants.
Domenico Scarlatti (1685-1757)
Stabat Mater, for double Chœur & continuo en do mineur
Antonio Lotti (1667-1740) [Composer]
Crucifixus, Motet a10
Giovanni Legrenzi (1626-1690)
Quam amarum est, Maria, Motet
Antonio Caldara (1670-1736)
Caldara – Crucifixus a 16
Leonardo Leo (1694-1744)
Miserere mei deus, concertanto pour 8 voix & continuo
Antonio Lotti (1667-1740) [Composer]
Crucifixus, Motet a 6
Virginie Thomas
Sean Clayton
Hannah Morrison (soprano)
Maud Gnidzaz (soprano)
Les Arts Florissants
Paul Agnew
16,90€
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