Liszt: Konzertsolos – Pier Carmine Garzillo

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Risultati della traduzione
Composer often “used”, wrongly, to show more than to tell, Franz Liszt is literally re-analyzed at the basis of his own virtuosity in this exceptional recording debut by Pier Carmine Garzillo. Very young interpreter who has accepted and overcome the challenge posed by three titanic compositions such as the Totentanz (in the version for solo piano), the Konzertsolo and finally one of the most intensely lyrical pages of the entire production of the Hungarian composer as Gretchen, taken directly from his masterpiece the Faust Symphony. Three works that very few pianists in the world face even in the years of their full maturity, the same one that Garzillo proves to possess already in his first experience in the recording studio where he literally deconstructs and reconstructs each piece, bringing out both the history that lies behind these works than the brilliant Lisztian visionary and modernity. A dazzling debut that leaves the listener at the last note of the last piece with the desire to continue this path and which is a prelude to a career among the most important interpreters of the new musical generation.