Choir & Organ (May, 2015)
Would it be naughty to describe two quirky baroque requiem settings from Sicily as ‘fun’? Contemporaries of Monteverdi, Mario Capuana’s madrigalian heart-on-sleeve intensity and Bonaventura Rubino’s bustling contrapuntal invention may be no match for the Mantuan maestro, but it’s captivating, quality stuff. In a world premiere recording of palpable presence, Chœur de Chambre de Namur, backed by a terrific continuo group, are definitely enjoying themselves, so why shouldn’t we? …
Mario – Rubino, Bonaventur Capuana: Requiem
Messa di defonti a quattro voci (Messe) (1650)
Requiem aeternam – Te decet hymnus (Introitus)
Kyrie
Requiem aeternam (Graduale)
Sequentia: Dies irae – Quantus tremor – Tuba mirum – Mors stupebit – Liber scriptus – Judex ergo – Quid sum miser – …
Domine Jesu Christe (Offertorium)
Sanctus
Agnus Dei
Lux aeterna (Communio)
Messa di morti a 5 concertata (Messe) (1653)
Requiem aeternam – Te decet hymnus (Introitus)
Kyrie
Sequentia: Dies irae – Quantus tremor – Tuba mirum – Mors stupebit – Liber scriptus – Quid sum miser – Rex tremende…
Domine Jesu Christe (Offertorium)
Sanctus
Agnus Dei
Lux aeterna – Requiem aeternam (Communio)
Libera me, Domine (Responsorium)
Choeur De Chambre De Namur – Garcia / García Alcarcón, Leonardo
20,90€
NO LONGER AVAILABLE
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