Mark Adamo: Lysistrata – Boston Modern Orchestra Project

Lysistrata, or the Nude Goddess (Oper in 2 Akten)
Ouvertüre
Invocation (1. Akt)
Peace now!
Being a bulletin
Ares, Aphrodite
Imagine, then…
It’s a miracle!
It’s a miracle!
Had these been women…
Ares, Aphrodite
Kleo
Lysia! – Nico!
Peace now!
Madam. – General…
Strategy is everything
Hellion, tigress…
You’re not my own
Are you quite through?
My lips, like so
WHAT? – I have to go.
Enough. Enough.
The Athenians drill
Myrrhine’s letter
Spartan drill
Peace now
Lysia’s letter
Finale
Peace now!
Kleo! Wake up…
Entrance of the Spartan women
I, Lampito
A simple query
The plan
Myrrhine’s letter
We seize the Acropolis…
Peace: yes! Of course…
Love? Oh, yes, love!
Lampito decides
Kleo? Athenians?
From this day on
That’s our signal…
Introduction
War: sure. I know
The capture
The armies gather
It’s a miracle!
The plan
The summit
The Spartan strategy
From this day on
Sex now! (2. Akt)
Too late in the day, sir
Think?
Nico’s credo
Kinesias decides
Losing our nerve
Overnight pass
Kinesias enters
Coaching Myrrhine
Negotiations
My lips, like so
The soldiers beg
Casting
He said / She said
Nico’s counteroffer
Lysistrata
The armies approach
Coup de Grace
The goddess peace
Kleonike makes a point
Surrenders
Lysistrata’s prayer
I am not my own
The celebration
Dei ex machina
Never will it end
Hymnos

Odyssey Opera, Boston Modern Orchestra Project, Gil Rose

Format: 2 SACD Hybrid
Release date: 7/8/2026
SKU: 8717306265393 Catégories : , ,

31,90

Boston Modern Orchestra Project and Gil Rose present the world premiere recording of Lysistrata, or The Nude Goddess, an opera by Mark Adamo. Far removed from the familiar outlines of Aristophanes’ ancient comedy, this daring reimagining reshapes a canonical text into something far more psychologically intricate and musically electrifying.

Set within a richly variegated score of shifting textures and mercurial transformations, the opera unfolds as a labyrinth of mirrored themes – where melodies change allegiance, identities blur, and every gesture carries double meaning. The familiar premise of women withholding intimacy to halt war becomes the starting point for a deeper exploration of desire, power, and identity. Adamo’s libretto dismantles classical certainties, replacing caricature with complexity, and recasts Lysistrata as a figure who must confront not only the politics of war, but the far more disquieting ambiguities of love itself.

Under the leadership of conductor Gil Rose, the Boston Modern Orchestra Project has become an unsurpassed advocate for 20th and 21st century American music. Alongside Adamo, this marks their collective return to PENTATONE, following their GRAMMY-nominated recording of John Corigliano’s The Lord of Cries (2023).

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