in Choir & Organ (May, 2012)
The key here is the balancing of voices and voices to instruments on the two Church Sonata pieces, KV67 and KV224. The strings shouldn’t dominate, but nor should they be consigned to a neighbouring room. Nethsingha takes a few chances with choral dynamics and pacing, but delivers a Coronation Mass that is both immediately satisfying and points up moments of slackness even in some cherished older recordings. The Ave verum corpus, an amateur choir favourite, gets a definitive reading that should be studied by all choral clubs. A refreshing reinterpretation of familiar material. …
Mozart : Messe du Couronnement. Nethsingha.
Wolfgang Amadeus Mozart (1756-1791)
Messe n° 15 for vocal soloists, chœur & orchestre en do majeur (Coronation), K. 317
Church Sonate n° 1 pour 2 violons, basse & orgue en mi bémol majeur, K. 67 (K. 41h)
Church Sonate n° 7 pour 2 violons, basse & orgue en fa majeur, K. 224 (K. 241a)
Ave verum corpus
Messe n° 6 pour solistes, chœur & orchestre en fa majeur (missa brevis), K. 192 (K. 186f)
Exsultate jubilate, K 165 (158a)
George Humphreys (baryton)
Susan Gritton (soprano)
Sam Furness
Frances Bourne (mezzo-soprano)
John Challenger (orgue)
Margaret Faultless (violon)
Simon Jones (violon)
Andrew Skidmore (violoncelle)
Kate Aldridge (contrebasse)
Choir of St John’s College Cambridge
Andrew Nethsingha
20,90€
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