Mozart: Piano Concertos No. 11 & No. 13 – Piero Barbareschi

Jewels of eighteenth-century pianism, they shine even more in the chamber versions desired by the author. As soon as he arrived in Vienna, in 1781 Mozart defined Vienna as “the homeland of the piano” so much so that he quickly resolved to publish a series of his own concerts, two of which are presented in this disc, both in the orchestral version and in the reduction. “Four” in his own hand. Almost a unique example of an authorial chamber reworking of his works, which can be considered both quintets with piano and concerts, no formal definition can ever diminish in any way the luminous beauty that has been emanating from these works for centuries. Piero Barbareschi, at the head of the Hegel Trio, offers a Mozart interpretation of rare refinement accompanied by the Hegel Trio who manages to recreate in his own microcosm that symphony and that dramatic lyricism typical of the concert and symphonic scores of the composer from Salzburg, allowing you to admire it from even closer the natural and sublime genius of each page.