Cette nouvelle création originale de Christina Pluhar est une relecture libre et magique du mythe d’Orphée mélangeant musique baroque et chansons du Folklore Sud-américain et de Sicile. Unique en son genre.
Deze nieuwe, originele creatie van Christina Pluhar is een vrije en betoverende interpretatie van de mythe van Orpheus waarbij barokke muziek en liedjes van Zuid-Amerikaanse Folklore en Sicilië vermengd worden. Een uniek project.
in Opera Now (Oct, 2016)
I will finish with a probable first: an opera recorded and filmed in Bogotá, Columbia. Orfeo Chamán is an attempt to retell the myth through a mixture of folk songs from mainly South America and Baroque music. It sounds a mish-mash – indeed it is, but in a wonderful way. It has vigour, style and a unique voice. Composed and created by Christina Pluhar, she enthusiastically leads her early music group, L’Arpeggiata, from the pit. Onstage, the blind young Argentinian performer Nahuel Pennisi sings Orfeo with a haunting tone, accompanies himself on the guitar, and is surrounded by inventive mayhem. Animals abound, the costumes are kaleidoscopic, and the movement is a …
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