The viola bastarda is much more than just a specific instrument: it is also a technique for playing the viola da gamba that involves developing a vast skill in ornamentation over the entire range of the instrument and covering all the tessituras from bass to soprano. Today’s performers are faced with a repertoire compiled by a few virtuosos, while at the same time they have to reconstitute a performing practice that exists only in a few historical treatises. Manon Papasergio has devoted her first recording to this art form and its development during the exciting transitional period from the Renaissance to the Baroque.
Per La Viola Bastarda – Manon Papasergio
Sylvestro Ganassi Recerchar secondo
Diego Ortiz Recercada Tercera sobre O felici occhi miei; Recercada Ottava sobre tenore La Gamba
Antonio De Cabezon Qui la dira; Ancor che col partire
Riccardo Rogniono Taeggio Ancor che col partire
Orazio Bassani Toccata; Nasce la gioia mia; Cara la vita mia; Susanna un giorno
Adrian Willaert Qui la dira la peine de mon cueur
Luzzasco Luzzaschi Fantasia a quattro sopra Ave Maris Stella; Ch’io no t’ami cor mio
Aurelio Virgiliano Nasce la pena mia
Manon Papasergio Partite sopra la Bergamasca; Partite sopra La Monica
Francesco Rognoni Pulchra es amica mea
Orlando Di Lasso Suzanne un jour
Manon Papasergio, Angelique Mauillon, Yoann Moulin, Clemence Niclas
20,90€
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