in Choir & Organ (May, 2014)
A fitting memorial, this performance reduces the all-night vigil of seven hours to a concert work of less than two and a half hours, a version made by Tavener in 2004 and taken from the complete performance at the Temple Church in London in 2003. While preserving the overall shape of eight cycles, each rising a tone to the intensity of the final Eschatology, the only complete cycle is the second, the whole preserving the most significant spiritual ingredients. The performance is superb. The work itself must be directed at those with stamina for its persistent slow-moving repetition and weighty piety. …
Transcriptions d’opéras pour trompette et orgue. Santi, Arlotti.
Domizio Zanichelli (19ème siècle)
“Réminiscence” d’après “Rigoletto”, opéra de G. Verdi
Gustavo Rossari (1827-1881)
Fantaisie pour cornet à pistons en si bémol majeur, d’après “La Traviata” de G. Verdi
Raniero Cacciamani (1818-1885)
Pot-pourri sur le thème “A te o cara…” extrait de “I Puritani” de V. Bellini
Joseph Forestier (1815-1882)
Fantaisie sur des motifs favoris de “Don Pasquale”, opéra de G. Donizetti
Variations sur des thèmes de “Norma”, opéra de V. Bellini
Variations sur des thèmes du “Barbier de Séville ” de G. Rossini
Giuseppe Verdi (1813-1901)
Adagio
Lodovico Spiga (1835-1887)
Pot-pourri avec variations sur “Le Barbier de Séville”, opéra de Costantino Dall’Argine
Jean-Baptiste Arban (1825-1889)
“La cenerentola”, air varié sur un air de G. Rossini
Michele Santi, trompette d’époque
Marco Arlotti, orgue (orgue de Adeodato Bossi Urbani de 1874)
16,90€
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