in Early Music Today (Mar, 2016)
New or unfamiliar recordings of Bach’s six Brandenburg Concertos are always eagerly anticipated with concomitant rewards and disappointments in varying measure. This recent version by Florilegium is richly rewarding and sits comfortably alongside those of the English Baroque Soloists and the Dunedin Consort to create a premiere league triumvirate. A consistent feature of Florilegium’s playing is a rhetorical emphasis that is especially apparent at the beginning of phrases, and which enhances their clear definition. This allows the players to pursue a more legato approach to the music than many of their period instrument competitors without threatening the clarity of the musical argument. Sometimes, as for instance in the otherwise exhilarating performance …
Bach J.S.: Brandenburg Concertos BWV 1046-1051
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051
Brandenburg Concerto No. 5 in D Major, BWV 1050
Brandenburg Concerto No. 5 in D Major, BWV 1050
Brandenburg Concerto No. 5 in D Major, BWV 1050
Brandeburg Concerto No. 4 in G Major, BWV 1049
Brandeburg Concerto No. 4 in G Major, BWV 1049
Brandeburg Concerto No. 4 in G Major, BWV 1049
Brandenburg Concerto No. 3 in G Major, BWV 1048
Brandenburg Concerto No. 3 in G Major, BWV 1048
Brandenburg Concerto No. 2 in F Major, BWV 1047
Brandenburg Concerto No. 2 in F Major, BWV 1047
Brandenburg Concerto No. 2 in F Major, BWV 1047
Brandenburg Concerto No. 1 in F Major, BWV 1046
Brandenburg Concerto No. 1 in F Major, BWV 1046
Brandenburg Concerto No. 1 in F Major, BWV 1046
Brandenburg Concerto No. 1 in F Major, BWV 1046
Florilegium
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