In 17th-century Venice, music underwent a series of profound transformations. It was a time of splendor, marked both by the development of musical writing and by advances in instrument making, with the rise of the violin and the recorder, experimentation with continuo without bass or keyboard, and the golden age of the sackbut. The debut album by Tumbleweeds, under the direction of Claire-Ombeline Muhlmeyer, Ballade vénitienne fully embraces this rich effervescence through works by Castello, in whose music the sackbut rivals the violin in virtuosity, as well as Grandi, Kapsberger, Marini, Uccellini and Frescobaldi. All of them spent time in La Serenissima, and each in their own way contributed to the extraordinary flourishing that would, in the following century, establish Venetian influence across Europe.
Ballade Vénitienne – Tumbleweeds
Uccellini Sinfonie Boscarecie, Op. 8: No. 15, Symphonia Decima Quinta (A Carissima) – No. 14, Symphonia Decima Quarta (A Foschina)
Castello Sonate Concertate in Stil Moderno, Libro Secondo: Sonata Quarta a Due Soprani
Grandi Ghirlanda Sacra, Libro Primo: O Quam Tu Pulchra Es
Marini Per Ogni Sorte Di Strumento Musicale, Op. 22: No. 25, Passacalio À 3 ; À 4
Frescobaldi Canzoni Da Sonare: Canzon Terza a Due Canti, F 8.14C
Kapsberger Intavolatura Di Chitarone, Libro Primo: No. 2, Toccata Seconda (Arpeggiata)
Legrenzi Sonate a Due Et a Tre, Libro Primo, Op. 2: No. 2, La Spilimberga a Due Violini
Marini Sonate, Symphonie, Canzoni, Op. 8: No. 59, Sonata Quarta Per Il Violino Per Sonar Con Due Corde
Cazzati Trattenimenti Per Camera, Op. 22: No. 13, Passacaglio
Cazzati Ciacona a Tre
Frescobaldi Toccate E Partite, Libro Secondo: No. 10, Toccata Decima (F 3.10)
Uccellini Sinfonie Boscarecie, Op. 8: No. 13, Symphonia Decima Terza (A Perdiera)
Cazzati Sonate a Due Violini E Basso Continuo, Op. 18: No. 12, Sonata Duodecima (A Strozza)
Tumbleweeds, Claire-Ombeline Muhlmeyer
21,90€
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