Jean Cocteau was many things: poet, playwright, artist, filmmaker, collaborator, self-inventor – each description fits, but none is sufficient. His work darts and pivots, one mask slipping as another appears. But beneath the surface, the same fixations recur, especially love, death, dependence and abandonment. This album stays close to his restlessness, touching melodrama, popular culture, prayer, aphorism, dance, cabaret and theatre, as styles collide, and the masks occasionally fall. At the centre of the program stands La Voix Humaine, Cocteau’s searing study of love, loss and fractured communication, alongside a sequence of songs by Poulenc, Milhaud, Honegger, Auric and others reflecting Cocteau’s wide artistic circle, where high art and popular culture meet without hierarchy. The result is not a comprehensive survey, but rather a carefully drawn portrait, shaped by affection and curiosity.
Cocteau’s Music – Claire Booth
Poulenc La Dame de Monte-Carlo, FP 180
Poulenc Cocardes, FP 16
Miel de Narbonne
Bonne d’enfant
Enfant de troupe
Durey Prière (from Chansons Basques)
Honegger Locutions (from Six poésies de Jean Cocteau)
Delage Sobre las olas
Chaslin Valse langoureuse (from Chansons pour Elle)
Milhaud Caramel Mou
Sacré Que ne suis-je un de cette Egypte (from Clair-Obscur)
Auric Hommage à Eric Satie (from Huit Poèmes de Jean Cocteau)
Poulenc La Voix Humaine, FP 171
Bach Prelude in B minor (Arr. Alexander Siloti)
Claire Booth, Christopher Glynn
20,90€
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