Daniel Bortz: Double Concerto For One – Malin Broman

Daniel Börtz, who has been active as a composer since the mid-1960s, is widely regarded today as one of the most significant composers in Swedish music history. His music has always been characterized by its simplicity and precision, which underscore the power of his emotionally charged messages. The three works presented here are linked by a personal thread: his collaboration with violinist and violist Malin Broman. She was a direct source of inspiration for all three works—first as a member of the Kungsbacka Piano Trio, later as artistic director of the Musica Vitae string orchestra, and finally as a soloist in “Double Concerto for One.” In her various roles, she served both as a performer and as a source of inspiration. Regarding “Double Concerto for One,” Broman said: “An incredibly beautiful and dramatic work. Daniel’s music is very close to singing; you feel as if you’re singing when you play.” The concert is followed by “Sinfonia 14,” composed exclusively for string orchestra. This large-scale, emotionally intense work is characterized by volcanic outbursts interspersed with moments of silence. The “Piano Trio” concludes the program with a powerful, driving opening, a deeply emotional slow middle movement, and a finale of irresistible energy.