Edvard Grieg: Complete Lyric Pieces – Vladimir Feltsman

Lyric Pieces, Book I, Op. 12
I. Arietta. Poco andante e sostenuto
II. Vals. Waltz. Allegro molto
III. Vægtersang. Watchman’s Song. Molto andante e semplice
IV. Elverdans (Alfedans). Elves’ Dance. Molto allegro e sempre staccato
V. Folevise. Folk Melody. Con Moto
VI. Norsk. Norwegian Melody. Presto marcato
VII. Albunblad. Album Leaf. Allegretto e dolce
VIII. Faedrelandssang. National Song. Maestoso
Lyric Pieces, Book II, Op. 38
I. Vuggevise. Berceuse. Allegretto tranquillo
II. Folkevise. Folk Melody. Allegro con moto
III. Melodie. Melody. Allegretto
IV. Halling. Norwegian Dance. Allegro marcato
V. Springdams. Leaping Dance. Allegro giocoso
VI. Elegie. Elegy. Allegretto semplice
VII. Vals. Waltz. Poco allegro
VIII. Canon. Allegretto con moto
Lyric Pieces, Book III, Op. 43
I. Sommerfugl. Butterfly. Allegro grazioso
II. Ensom Vandrer. Lonely Wanderer. Allegretto semplice
III. I Hjemmet. In My Homeland. Poco andante
IV. Liden Fugl. Little Bird. Allegro leggiero
V. Erotik. Eroctic Piece. Lento molto
VI. Til Foråret. To Spring. Allegro appassionato
Lyric Pieces, Book IV, Op. 47
I. Valse-Impromptu. Allegro con moto
II. Albumblad. Album Leaf. Allegro vivace a grazioso
III. Melodie. Melody. Allegretto
IV. Halling. Norwegian Dance. Allegro
V. Melankoli. Melancholy. Largo
VI. Springdams. Leaping Dance. Allegro vivace
VII. Elegie. Elegy. Poco Andante
Lyric Pieces, Book V, Op. 54
I. Gjætergut. Shepherd Boy. Andante espressivo
II. Gangar. Peasants’ March. Allegretto marcato
III. Troldtog. March of the Trolls. Allegro moderato
IV. Notturno. Nocturne. Andante
V. Scherzo. Prestissimo leggiero
VI. Klokkeklang. Bell-Ringing. Andante
Lyric Pieces, Book VI, Op. 57
I. Svundne Dage. Vanished Days. Andantino
II. Gade. Allegro grazioso
III. Illusion. Allegretto serioso
IV. Hemmelighed. Secret. Andante espressivo
V. Hun danser. She Dances. Tempo di Valse
VI. Hjemve. Homesickness. Andante
Lyric Pieces, Book VII, Op. 62
I. Sylfide. Sylph. Allegretto con moto
II. Tak. Thanks. Allegretto semplice
III. Fransk Serenade. French Serenade. Andantino
IV. Bækken. The Brook. Allegro leggiero
V. Drømmesyn. Phantom. Poco Adante ed espressivo
VI. Hjemad. Homeward. Allegro giocoso alla marica
Album Leaves, Op. 28
I. Allegro con moto
II. Allegretto espressivo
III. Vivace
IV. Andantino serioso – Allegro giocoso
Lyric Pieces, Book VIII, Op. 65
I. Fra Ungdomsdagene. From Days of Youth. Allegor moderato e tranquillo
II. Bondens Sang. Peasant’s Song. Andante semplice
III. Tungsind. Sadness. Andante espressivo
IV. Salon. Allegretto con grazia
V. I Balladetone. In Ballad Style. Lento lugubre
VI. Bryllupsdag på Troldhaugen. Wedding Day at Troldhaugen. Tempo di Marcia un poco vivace
Lyric Pieces, Book IX, Op. 68
I. Matrosernes Opsang. Sailor’s Song. Allegro vivace e marcato
II. Bedstemors Menuet. Grandmother’s Minuet. Allegretto grazioso e leggierissimo
III. For fine Födder. At Your Feet. Poco Andante e molto espressivo
IV. Aften på Højfeldet. Evening in the Mountains. Allegretto
V. Bådnlåt. Cradle Song. Allegretto tranquillamente
VI. Valse mélancolique. Tempo di Valse tranquillo
Lyric Pieces, Book X, Op. 71
I. Der var engang. Once Upon a Time. Andante con moto
II. Sommeraften. Summer Evening. Allegretto tranquillamente
III. Småtrold. Little Troll. Allegro molto
IV. Skovstilhed. Woodland Peace. Lento
V. Halling (Norwegian Dance). Allegro molto – Allegro moderato
VI. Forbi. Gone. (In memoriam) Andante doloroso
VII. Efterklang. Remembrances. Tempo di Valse

Vladimir Feltsman

Format: 3 CD
Release date: 7/8/2026
UGS : 0710357646720 Catégories : , ,

28,90

This recording is a small token of appreciation and a tribute to E.M. Timakin, my first teacher, who taught me how to play piano and helped to set the course of my musical journey that is still unfolding. He was very fond of Grieg’s piano works and gave it to all of his young students to study. More than sixty years have passed since that time, but the experience of studying Grieg’s Lyrical Pieces with him is still vivid in my grateful memory… For generations of young pianists Grieg’s Lyric Pieces have been one of the first encounters with real music, alongside the works of Schumann and Tchaikovsky written for children. At the beginning of their training young musicians and children must dedicate plenty of time and efforts to the development and mastering of the basic technical skills such as playing scale, arpeggios and other exercises that do not carry real artistic values. Because of that the first encounters with real music are extremely important for children and could have a defining impact on their future development and growth. It is good fortune for many youngsters to be introduced to real music through these works of Grieg.

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