Folias Y Glosas: Legacies Of The Spanish Golden Age – Concerto Scirocco

Antonio de Cabezón Tiento del V tono
Anonymous Pase el agoa
Josquin des Prez In te Domine speravi
Diego Ortiz Recercada primera sobre La Spagna
Diego Ortiz Recercada sesta sobre La Spagna
Diego Ortiz Recercada ottava sobre La Folía
Diego Ortiz Recercada segunda
Bartolomé de Selma y Salaverde Fantasia basso solo
Bartolomé de Selma y Salaverde Canzon settima
Andrea Falconieri Folías echa para mi Señora Doña Tarolilla
Johannes Ghiselin La Spagna
Anonymous La Spagna
Francisco de la Torre Alta
Antonio de Cabezón Fabordon del VI tono glosado
Vincenzo Ruffo La Gamba in basso e soprano
Bartolomé de Selma y Salaverde Canzon terza
Anonymous Pues que jamas
Andrea Falconieri Brando de abril
Andrea Falconieri Sinfonia seconda
Michael Praetorius Spagnoletta
Tielman Susato Pavane Mille regretz
Josquin des Prez Mille regretz (Diminution by Giulia Genini)

Concerto Scirocco, Giulia Genini

Format: 1 CD
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“Folías y Glosas”, the new recording project of the ensemble Concerto Scirocco, is a musical journey into the Spain of the late 16th/early 17th century, taking in a repertoire rich in colours, rhythm and influences that weaves together folk memory and sophisticated artistry. The title alludes to two key elements of early performance practice: the folías, an ostinato of folk origin with a cyclic structure, and the glosas, a term synonymous with ornament and embellishment.

Alongside the names of great Iberian composers such as Antonio de Cabezón and Diego Ortiz and pieces from the Cancionero de Palacio, the programme also investigates the ramifications of Spanish influence in Europe, with music by Michael Praetorius, Bartolomé de Selma y Salaverde, Andrea Falconieri and Johannes Ghiselin. The cultural links between Spain, Italy and the northern countries, which testify to the circulation of styles and ideas between the courts and cities of Baroque Europe, are here revealed in a refined, yet spirited, musical overview. With Folías y Glosas, Concerto Scirocco brings to listeners the richness of expression and variety of timbre of a repertoire that still sounds surprisingly modern.

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