Rodolfo Bellatti is certainly one of the most interesting and important organ interpreters present at the international level today. After some projects that have shown the extreme interest and attention to the rarest repertoire, here he is perhaps facing one of the greatest authors of the nineteenth century for the organ, Caesar Franck. With this first volume, of three planned, he tries his hand at three works, the Fantasia Op. 16, the Pièce en mi flat, an early work of 1846 and the three monumental “Chorals pour Grand’Orgue”.
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