in Piano International (Sep, 2016)
For this concert, Gulda performed in front of an audience with a maximum age of 25. It is good, then, that the age limit is broken by the release of these performances: truly Mozart for all people.
This feels like a master’s purest thoughts on another master. The lesser-known K282 begins with an Adagio, exquisitely shaped; the ensuing Menuetto has Gulda finding character aplenty in the simplest of gestures. The sound isn’t perfect, a little brittle, but we hear the brilliant excitement of the finale unalloyed, ornaments superbly natural.
In between sonatas, Gulda takes up the microphone: ‘To end, one of the sonatas in D major, I’ve forgotten the Köchel number…’ …








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