in Choir & Organ (Mar, 2018)
The Magritte cover image is obvious enough, but something by James Ensor might have been more appropriate, for this is a generous Dead Rat Ball of a programme, open-ended, stylistically various to the point of cheerful oddity and slightly devil-may-care in delivery. One feels for a choir having to deal with so many premiere recordings in one session. There’s a curiously English emphasis: two Blake settings (by Roland Coryn and Kurt Bikkembergs) and Maarten Van Ingelgem’s evocation of Hampstead Heath, along with three pieces – two and one respectively – by English-born Alan Charlton and Toby Wardman. Which means, rather perversely, only one representation of composer-in-residence Jan Moeyvaert, who has helped …
Made In Belgium, New Belgian Choral Music – Brussels Chamber Choir
Rudi Tas (1957-) Ave Maria
Xavier Deprez (1966-) O ignis spiritus
Stephan Laschet (1979-) Pater noster
Luc Dupuis (1954-) Stabat Mater
Alan Charlton (1970-) The everlasting voices
Maarten Van Ingelgem (1976-) Hampstead Heath
Roland Coryn (1938-) The sick Rose
Kurt Bikkembergs (1963-) Never pain to tell thy love
Piet Swerts (1960) War
Jan Moeyaert (1961-) In duin
Jean-Marie Rens (1955-) Die Nachtegaal int wild
Toby Wardman (1981-) Li p’tit banc
Rudi Tas (1957-) Je voudrais te la dire
Guy-Philippe Luypaerts (1931-1999) Chanson des Éclopés
Alan Charlton (1970-) Il flotte une musique éteinte
Brussels Chamber Choir
20,90€
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