Known for his highly versatile approach to bassoon playing and innovative programming, Bram van Sambeek teems up with pianist Hans Eijsakers to present their new album Relics and Discoveries. The release features a programme of concert-tested works partially dedicated to the conservatory repertoire most beloved by bassoon students. Several pieces originated as Paris Conservatoire competition commissions from the institution’s composition faculty. Tansman’s engaging Sonatine, Koechlin’s three slow movements and Dutilleux’s Sarabande et Cortge each reflect their composers’ fiercely independent personalities: each energetic, contemplative, and masterfully crafted. A major discovery is Fazil Say’s substantial and colourful Suite. Originally for alto saxophone, it is arranged here for bassoon in its original key of E flat minor to preserve the instrument’s unusual tonal ‘friction’. Kinan Azmeh’s November 22nd, a meditative evocation of childhood sounds from a Damascus market, adds emotional depth. Closing the programme is Eugne Jancourt’s arrangement of the Allegretto from Beethoven’s Seventh Symphony, a movement van Sambeek connects to both personal memory and climate activism. Together, these works challenge the misconception that the bassoon repertoire is limited, offering pieces that range from conservatory staples to newly unearthed gems.
Relics And Discoveries – Bram van Sambeek
Fazıl Say Suite for Alto Saxophone and Piano, Op. 55 (Arr. Bram van Sambeek)
Henri Dutilleux Sarabande et cortège
Alexandre Tansman Sonatina for Bassoon and Piano
Ludwig van Beethoven Symphony No. 7, Op. 92: Allegretto (Arr. Eugène Jancourt)
Charles Koechlin Three Pieces for Bassoon and Piano, Op. 34
Kinan Azmeh Suite for Improviser and Orchestra: II. November 22nd (Arr. Bram van Sambeek)
Bram van Sambeek, Hans Eijsackers
21,90€
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