Piano International (May, 2013)
It is a rare treat to hear these early concertos played with one instrument to a part (Mozart prepared versions for piano and string quartet). Fialkowska is not the first to have captured them on disc in this form (there is an EMI set by Collard, for example), but her offering is pure delight.
The scaling down seems to aid the vibrancy of the K415 Allegro. The bracing string exposition leads to Fialkowska’s charming reply, which at once exemplifies her approach throughout: clean articulation, perfectly placed accompaniments, perfect melodic projection. All this is captured in a recording of stunning immediacy and presence.
The first movement cadenza is beautifully handled, a thing …
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