Long before Bach’s genius came to the fore, a line of intrepid minds patiently paved the way for the dawn of the Baroque violin in the Holy Roman Empire, lifting it out of the shadow of the voice to establish it as a commanding solo instrument. From the contrapuntal rigour of Samuel Capricornus to the theatrical brilliance of Biber, via the elegance of Krieger, Schmelzer, Westhoff and Vilsmayr, this album unfolds an evolving Germanic musical landscape. With infinite delicacy, Louise Ayrton unearths these forgotten roots and celebrates these visionaries, who laid the foundations for the violin to finally become the absolute master of its own musical narrative.
Aurora Germanica – Louise Ayrton
Samuel Capricornus Prothimia Suavissima, Book II: No. 3, Sonata a 3
I. —
II. —
Samuel Capricornus Partiturbuch Ludwig: No. 37, Ciaconna in D Major
Johann Philipp Krieger Sonata Sesta à 2
I. Largo – Adagio
II. Vivace – Adagio – Presto
III. Ciaconna. Allegro
Johann Heinrich Schmelzer Violin Sonata in A Minor
I. —
II. Aria – Variatio prima – Variatio secunda
III. Gigue. Presto
Johann Paul von Westhoff Violin Sonata No. 3 in D Major
I. Grave
II. Largo
III. Imitatione delle Campane
IV. Adagio
V. Allegro
Heinrich Ignaz Franz Biber Violin Sonata No. 3 in F major, C. 140
I. Adagio – Presto
II. Aria – Variatio
III. Presto – Adagio
IV. Variatio
Johann Joseph Vilsmayr Artificiosus Concentus pro Camera: Partita No. 1 in A Major
I. Prelude. Harpeggio
II. Aria
III. Saraband
IV. Gavott – Variatio
V. Menuet
VI. Aria
VII. Menuett
VIII. Aria
IX. Menuett – Gique – Final
Louise Ayrton, Salomé Gasselin, Alice Trocellier, Lucie Chabard, Sergio Bucheli, Gauthier Broutin
20,90€
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