In the summer/autumn of 1726, Johann Sebastian Bach composed three solo cantatas for alto within a period of three months. It seems likely that at this time Bach had a particularly talented alto singer in his ranks. However, it is not known who this person was. It was probably a young singer who performed the pieces in falsetto, thus corresponding, as Benno Schachtner notes, to the type of singer we now refer to as a countertenor. All three cantatas also feature the innovation of the obbligato organ. Usually relegated to playing the basso continuo in cantatas, Bach elevates it here to a solo instrument that competes on equal terms sometimes with the orchestra, sometimes with just a soloist. The Collegium 1704, conducted by Václav Luks, recorded this album at Bach’s place of work, St Thomas’ Church in Leipzig. And so, as a special highlight, the ‘Bach organ’ built there in 2000 is heard as the solo instrument. It’s sound and construction are entirely geared towards presenting Bach’s works in the most ideal manner.
Bach: Cantatas For Alto – Benno Schachtner
Geist und Seele wird verwirret, BWV 35
No. 1, Concerto
No. 2, Aria. Geist und Seele wird verwirret
No. 3, Recitativo. Ich wundre mich
No. 4, Aria. Gott hat alles wohl gemacht
No. 5, Sinfonia
No. 6, Recitativo. Ach, starker Gott
No. 7, Aria. Ich wünsche nur
Vergnügte Ruh, beliebte Seelenlust, BWV 170
No. 1, Aria. Vergnügte Ruh, beliebte Seelenlust
No. 2, Recitativo. Die Welt, das Sündenhaus
No. 3, Aria. Wie jammern mich doch die verkehrten Herzen
No. 4, Recitativo. Wer sollte sich demnach
No. 5, Aria. Mir ekelt mehr zu leben
Gott soll allein mein Herze haben, BWV 169
No. 1, Sinfonia
No. 2, Arioso. Gott soll allein mein Herze haben
No. 3, Aria. Gott soll allein mein Herze haben
No. 4, Recitativo. Was ist die liebe Gottes?
No. 5, Aria. Stirb in mir, Welt
No. 6, Recitativo. Doch meint es auch dabei
No. 7, Choral. Du süße Liebe, schenk uns deine Gunst
Benno Schachtner, Collegium 1704, Václav Luks
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